Full Throttle
Posted by Eric Welch on Apr 3rd 2025
I was all in now,
deep in the world of community theatre.
And man… what a scene.
The juxtaposition of it all was wild. One minute I’m in the streets, flipping pounds and spending weekends under the neon glow of a club, and the next I’m standing in a circle at a Unitarian church, playing theatre games with actors.
It was surreal.
I kept my worlds separate—or at least, I tried. Most of the people I was acting with had no idea what the rest of my life looked like. And honestly? I was scared if they did, the whole balance I was trying to build would collapse.
Still, my ego was getting bigger. I liked being good at selling weed. I liked the confidence it gave me.
But as I settled into that new space, building relationships with these kind, talented artists, something shifted.
I realized I was having fun.
I was finding parts of myself I didn’t even know were missing.
And the real ones in the cannabis world? They didn’t care. They knew I wasn’t trying to be the grimy plug who robbed or schemed or put bullets in people just to make an extra buck. I wasn’t trying to be the boss type, barking orders from the top.
I ran my business with respect. With equality.
Sure, maybe I was naive about the violence happening around me—or maybe I just didn’t want to acknowledge it. One minute I’d be hanging with homies who’d been shot at, who’d shot back, who lived and died by the hustle. And the next, I was sitting on a dusty church sofa, reading lines from a script about magic and make-believe.
I’m at rehearsal, script in hand, when the phone buzzes.
“Okay,” I whisper into the receiver, “I’ll walk outside. In the alley, right?”
I set the script down on the couch, walk outside to my car, pop the trunk and pull out a duffle bag stuffed with five pounds of grade-A fuck-me-so-good flower.
Walk around the building to the alley where a car sits, trunk pops. I slide the bag in.
No words exchanged. No money handed over. Just business.
They drive off.
? Ticket price: $17,500
? Profit: $2,500
And me? I don’t even think twice.
I walk back around the building, where everyone is chatting it up. Smiles exchange, conversations about character, objectives, and the process they are in.
Inside, warm-ups are starting.
We stand in a circle. Somebody claps their hands:
“Zip!”
Another catches it: “Zap!”
It flies again: “Zoom!”
I don’t understand a damn thing we’re doing. But I play along anyway.
And for once, I’m not calculating margins.
I’m not watching my back.
I’m just playing.
I’m just free.
The hustle. The theatre. The contradictions stacked on contradictions.
Drugs.
Money.
Art.
I didn’t know where it was heading, but I’d never felt more alive.
This was full throttle living.